• Publication:Northwest Arkansas Times; Date:Jun 25, 2007; Section:News; Page Number:1

    Arts industry provides economic boost as well as impact on culture

    BY MARSHA L. MELNICHAK Northwest Arkansas Times

    Nonprofit art is an industry that creates jobs and generates revenues, according to a national study conducted last spring and fall that included Benton and Washington counties in Arkansas.

    “The arts are a good, sound investment,” said Terri Trotter, vice president of external affairs for the Walton Arts Center, referring to the recently published report, Arts & Economic Prosperity III.

    “Investing in arts and culture is an investment in developing the economy of your region, whether that’s the city of Fayetteville or Northwest Arkansas,” she said.

    Trotter said nonprofit art in the two counties generated more than $1.5 million in taxes and fees for state and local governments, created more than 500 jobs and stimulated more than $16 million in economic activity.

    “It’s a different way to look at the arts and culture industry,” she said. “It shows really conclusively that the arts are more than an amenity. They are an industry that creates jobs and generates tax revenue. This is an industry, and investing money in it reaps economic rewards.”

    The study, conducted by Americans for the Arts, looked at the economic impact of the nonprofit arts and culture industry. It studied the direct economic impact of the organizations themselves, the indirect impact of the organizations’ expenditures, and the economic impact audiences made by attending events.

    The Walton Arts Center served as a clearinghouse for Benton and Washington counties, finding and identifying the nonprofit organizations and forwarding and collecting results from the surveys about jobs, income and revenues generated.

    The center also provided the people power for audience intercept interviews from about 20 events of different genres and in different places in the area. About 50 interviews were collected at each event.

    Trotter said the study also shows the great potential to grow the arts and cultural industry, particularly to capitalize on cultural tourists coming into the region.

    “Something this study and others have shown is that cultural tourists spend a lot more money,” she said. “Pulling in tourists is one thing; pulling in cultural tourists, who we know spend more money, is another thing.”

    The study showed the difference between what a local person spends compared to what someone who’s traveling spends.

    Relative to the national average, nonlocal visitors in Benton and Washington counties spent more than the national average, about $50 compared to about $40.

    Of the 823 persons surveyed as they left events, those who gave local zip codes spent about $20 per event.

    Audience members were approached as they left events, asked if they would be willing to participate, and, if they agreed, handed a clipboard with survey questions created for the national study.

    “They just filled it out right there and handed it back,” Trotter said. Arts center personnel collected the surveys and sent them to Americans for the Arts to analyze the data.

    Spending in the survey referred to related spending and did not include the ticket price. Concessions, restaurants, hotels, souvenirs and gifts are examples of related spending.

    Most of the responders in Northwest Arkansas were local; about 18 percent were identified as nonlocal, compared to about 39 percent nationally.

    We have fewer tourists than the national average, but each individual is spending more, Trotter said, explaining the data.

    “To me, that’s a big flashing sign,” she said. “Look at the opportunity we have to capitalize on this and to make sure we’re preparing to welcome and host visitors.”

    Trotter said the Crystal Bridges museum coming to Bentonville will help draw nonlocal tourists to Fayetteville as well as the area.

    She explained that museums serve as destinations.

    “So when the rest of the community, particularly the arts community, can make plans around that, then we can all capitalize on that,” she said. “It’s not only good for the Walton Arts Center; it’s good for Fayetteville and Northwest Arkansas as well.

    “When I’m able to bring folks from Crystal Bridges down here for a performance and then they go across the street and have dinner and stay wherever they stay, that’s good for everybody.”

    The Arts & Economic Prosperity III study shows how that incremental spending adds to what’s going on in the community and plays back into the tax revenue generated.

    “It gives us a new way to talk about what we do,” Trotter said, adding that the study provides data to support what people in the arts and cultural community already know.

    For example, she said, “We know that having the arts in a community is good for the community. Not many people will argue that. We also know it’s good for the community in multiple ways. It creates the quality of life you need; it creates an interesting and vibrant community in which to live. But it also generates economic activity just like any other business.”

    Partnering with arts center to fund the study in the area were the University of Arkansas, city of Fayetteville, Bentonville Chamber of Commerce, Fayetteville Economic Development Council, Fayetteville Downtown Partners, Fayetteville Chamber of Commerce, the Northwest Arkansas Council and Wal-Mart.

  • Publication:Northwest Arkansas Times;     Date:Jun 24, 2007;     Section:Living;     Page Number:18

    POETRY

    Slam poet Scott Crain to spice things up at monthly OPWC reading

    Cat Donnelly

    If variety is the spice of life, then slam poetry has infused spice back into modern day poetry.

    I remember attending Ozark Poets & Writers Collective meetings five years ago and being mesmerized by the various performance poets such as Clayton Scott and Doug Shields, to name just two, who came to share their talents.

    These experiences prompted me to start attending poetry slams where I was exposed to more local slam poets, including Scott Crain and internationally known poets such as the Mighty Mike McGee. In my opinion, they push poetry to a higher level than if it is merely read, just as performing a play makes the words on the page come alive.

    The technical definition of a poetry slam is a competition that’s judged by random audience members on a numeric scale where competitors are eliminated and a winner declared. Some have blurred the definition to also encompass a particularly invigorating poetry performance, usually done without reading off of a page. This is more accurately defined as performance poetry or the art of spoken word.

    The oral tradition of poetry is believed to predate written poetry, just as spoken language predates the written word. Audience participation helps break down the barriers between performer, critic and audience.

    Ozark Poets & Writers Collective is not becoming a slam competition, but local slam poet Scott Crain will be the featured reader on Tuesday at George’s Majestic Lounge on Dickson Street. Crain electrifies the local slam circuit and wins many slams.

    Crain remembers attempting fiction for the first time in seventh grade. He had big ideas but little patience, so he found poetry more rewarding.

    “I remember being required to write a poem for my junior lit and comp class in high school. Thus began a flood that never has stopped,” Crain said.

    The pain and struggles of friends and family often inspires Crain, as does his own introspection, which is clarified by being put to paper.

    As for performance poetry, he claims to do it for the attention.

    Slam competitions come with a host of rules. Time penalties are often enforced, and some forbid props and costumes.

    Slam poets tend to push the envelope and challenge authority, especially anyone who claims to know what literary quality is. For this reason, perhaps, slam poetry has at times been attacked by the academic literary community. In many cases, though, slam has become part of a more mainstream culture and is taught in some schools and colleges.

    Many consider Marc Smith, who arranged the first slam at the Get Me High Lounge in Chicago in 1984, to be the father of the modern day slam competitions. Two years later, the competition moved to the Green Mill Jazz Club, where it remains today. In 2001, Scott attended his first slam, the Busload of Poets poetry slam tour at the famed Green Mill Jazz Club. The experience changed him forever, he said.

    Although he has a bachelor’s degree in English, Crain’s work history is very blue collar and he has mostly worked at various grocery stores. He is married to Heather Crain, a local slam poetess, and they live with two boxers in Siloam Springs.

    Crain will have two chapbooks, “Punchlines” and “Transformations,” available for signing and sale at the meeting and plans to record a CD by late July.

    For more information on Crain’s poetry and upcoming projects, check out www.myspace.com/hard corepoetic.

    Crain is a member of the Unified Arkansas Slam team, which will compete in the National Poetry Slam in Austin, Texas, in August. Crain also performs regularly at the Ozark Poetry Slams on the second Tuesday of each month at the White Rabbit on Wedington Road.

    In other news, past featured reader Jo McDougall, who has written five books of poetry, will be reading at the Poets NorthWest meeting at 1 p.m. July 7 in room 222 at the Jones Center for Families in Springdale.

    McDougall is a recipient of the DeWitt Wallace/Reader’s Digest Writing Award, the Academy of American Poets Award and Arkansas’ coveted Porter Prize. “Towns Facing Railroads” was produced by the Arkansas Repertory Theatre in 2006 and has been adapted for the film “Emerson County Shaping Dream.”

    Her poems and articles appear in Garrison Keillor’s “Good Poems for Hard Times,” Ted Kooser’s “American Life in Poetry,” the Hudson Review, the Flannery O’Conner Review, the Georgia Review, the Kenyon Review, Midwest Quarterly and New Letters.

    • • •

    OPWC’s monthly meetings include open mic sessions where performers have four minutes to read original works or others’ poetry or perform music. Admission is free, but a hat will be passed to help provide a small stipend for our featured reader. The University of Arkansas Press also generously donates a book for our free raffle.

    OPWC is a friendly forum for local wordsmiths of all types, from beginners to veterans. Join us for one of the longest-running live poetry venues in this area for an evening of cutting-edge poetry. For information about upcoming features, visit: www.uark. edu/ua/mmasull/opwc/.

    Cat Donnelly is a nontraditional undergraduate student in the creative writing program at the University of Arkansas and lives in Durham with her husband, two sons, a pug and about 30 chickens.

    COURTESY R.K. Stephens

  • FAYETTEVILLE, AR - Due to the tremendous success of the first Fayetteville In Bloom (FIB) Photo Contest, the FIB committee has decided to hold a Monthly Photo Contest. The winning entries will be judged at the monthly Fayetteville in Bloom committee meetings and will be featured in fundraising note cards, calendars, and publicity posters to be displayed at various locations. Entry deadlines will be the 1st of each month and entry forms are available online at www.accessfayetteville.org or contact either of the FIB Co-Chairs listed below.

    Read more…

  • Don House and Steve Moore have photographs on exhibit at Arsagas on Crossover Rd. for the month of June.

    There is a reception this evening - Friday (June 15th) - from 5 to 7 pm.

  • Event:        Benefit Art Sale
    When:        June 12 to August 26, 2007
    Where:        La Maison des Tartes, 481 South School  Fayetteville, Arkansas

    Why:        The raise funds for the Jackson L. Graves Foundation which provides funding for neo-natal care for babies and their families at Arkansas Children’s Hospital.

    Southern Hospitality Management Company and La Maison des Tartes are delighted to continue this series of art sales to benefit this worthy organization in our community. We hope to see you soon!

    Read more…

  • The hot summer is here and along with it come cool makeshops, our hands-on learning workshops where participants make, do and create.

    We have a new instructor, Rima Peterson, who will be teaching Improve Your Writing Skills. Rima has extensive experience as a local writer and editor. We are happy to have her sharing her professional skills with the community through her 2-hour makeshops.

    Read more…

  • TheatreSquared is thrilled to announce our first five-show season!

    We have selected work that demonstrates a wide range of theatrical experience. We’re confident of one thing above all else: attend one performance and you’ll understand immediately why this intimate theatre-going experience is such an important addition to the expanding cultural landscape of Northwest Arkansas. Some of our offerings are for kids and families, some are for adults, but all are theatrical, challenging and richly entertaining. Can’t wait to see you at the theatre!

    Read more…

  • The Communication Arts Institute is seeking an experienced Executive Director to head up its non-profit activities.  Responsibilities will include development and fundraising, operational oversight, Board liaison, fiscal management, and program coordination. The ED will also be the media representative and primary spokesperson for the organization.   Position requires a minimum of five years’ experience as an executive director, or in a responsible management leadership position.  Master’s degree preferred, but not required.   Mail  resumes to CAI, 515 Spring Street, Eureka Springs, AR  72632, or email to jane@writerscolony.org.

    Read more…

  • juliewaitdesigns_june.jpg

    ROGERS, ARKANSAS (June 1st, 2007 – July 13th 2007) – The Art Gallery at Julie Wait Designs will present new work by local artist, Timothy Jones, from June 1st, 2007 – July 13th 2007.

    Jones’ artwork displays an uncommon sensitivity and depth, and an immediacy that comes from focused observation.  His paintings display a level of intimacy that flows from a true appreciation for his subject, and a fascination with the play of light.  “I paint the same things that artists have painted for centuries; I’m fascinated by ordinary things, old things… every object has it’s own story,” Tim says.  Jones works in oils on wood panel, using traditional techniques.

    Timothy Jones spent his first 14 years in Alaska, where he learned to appreciate the stark beauty of the Alaskan landscape. He developed an interest in art at an early age, and was encouraged by his parents, especially his mother, Jean, who was also an artist.  He received his Master of Fine Arts degree from the University of Arkansas and worked as an illustrator for several years.

    In 2004, Tim opened Green Leaf Fine Art Gallery and Studio in Rogers, Arkansas.  With the opening of Green Leaf Gallery, Tim made a commitment to painting full-time. One of the tremendous unexpected benefits of the gallery was the opportunity to meet the successful and accomplished artists who work in the area. Jeff Legg, Todd Williams and Timothy C. Tyler all lived within “rock throwing distance” of the gallery. Tim’s association with these artists, as well as other members of the art community, allowed him the greatest opportunity for growth that he had seen since his first college art classes. Tim was encouraged that all these artists were enjoying success by building on the great artistic traditions of 19th century Europe, rather than reacting against them.

    In time, Tim realized that the demands of operating and marketing a commercial art gallery, in addition to teaching art lessons, left little time for painting. With all the positive response to his new work, he decided to close Green Leaf Gallery and paint in his studio full-time.  With new enthusiasm, Tim has been building a portfolio of work in the “classical realist” style. Though working in this way for only a year, his art has already received local, regional and national recognition. In February of 2005, Tim’s painting “Blue Vase with Plums” was chosen as a finalist in the Art Renewal Center’s 2005 International Salon, a competition that drew 1500 entries from over 30 countries.

    This very special show of Tim Jones work comes to the Art Gallery at Julie Wait Designs at 318 S. First Street in downtown Rogers and will run from June 1st, 2007 – July 13th 2007. The public is invited to the opening night reception on Friday June 1st between 5:00pm and 8:00pm.  The show is open to the public between 9:00am to 5:00pm Monday – Friday and by appointment.  All work exhibited is for sale.  For information call 631-8706.

  • Filmaka.com Announces the Start of Contest #7!

    After the success of its first six contests, Filmaka has launched its 7th contest ‘The Prophecy’. Submissions are accepted till 30th June 2007.

    The topic for Filmaka.com’s June contest is “The Prophecy” and we look forward to seeing how filmmakers across the world explore this theme.

    All entries must be 1-3 minutes in length, and must be uploaded by midnight PST, June 30th, 2007. The top 15-20 filmmakers each month have a chance at the annual grand prize: a feature film contract.

    It’s a monthly contest based on a particular theme. Make a film not more than 3 minutes. First 15 winners would get a 500$ cash prize and 1000$ for a follow up film plus also can win a Feature film contract with famous filmmakers.

    Filmaka.com is a new online competition, juried by award winning filmmakers including Werner Herzog, Neil LaBute, Paul Schrader and Wim Wenders, and founded by leading independent producers and financiers. Filmmakers have a new chance to enter each month, and submissions are accepted in any languages.

    Please visit www.filmaka.com to see past contest submissions, and for complete rules, terms and conditions.

    Membership is free for Film students: email collegeregistration@filmaka.com from your school issued email account for more information.

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